Nicolas Bourriaud, ‘Altermodern Manifesto’, online at Tate website: http://www. ‘Global Modernities’. Altermodern [Nicolas Bourriaud] on *FREE* shipping on qualifying offers. Few books can boast of introducing an entirely new word to the English. BR: What is the ‘Altermodern?’ NB: First, it is an attempt to reexamine our present, by replacing one periodizing tool with another. After 30 years.

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July Learn how and when to remove this template message. Flight-lines, translation programmes and chains of heterogeneous elements articulate each other. The End of Postmodernism. This evolution altermldern be seen in the way works are made: Bourriaud is, to a critic such as Buck, the blurriaud as vanguard and buorriaud. What matters today is to translate the cultural values of cultural groups and to connect them to the world network. The fourth instalment of the Tate Triennial promises to evoke debate.

He is sure to face criticism for the exhibition, as did his predecessor Beatrix Ruf of the Tate Triennial. This article needs additional citations for verification. Altermoderna portmanteau word defined by Nicolas Bourriaudis an attempt at contextualizing art made in today’s bbourriaud context as a reaction against standardisation and commercialism.

Please help improve this article by adding citations to reliable sources. Undoubtedly, as with any major exhibition at a key institution, this is to be assumed and expected. The question is not anymore where are you coming from but where are you going to?

It is also the title of the Tate Britain ‘s fourth Triennial exhibition curated by Bourriaud.

Aesthetica Magazine – The End of Postmodernism

One imagines him at the centre of a web, being pulled from every which way, straining against the different requirements and decisions to be made: One gets the sense though, when speaking with Bourriaud, that he almost courts criticism, that he views debate as the impetus of the show: Multiculturalism and identity is being overtaken by creolisation: Altermodern can essentially be read as an artist working in a hypermodern world or with supermodern ideas or themes.


There is a tentative movement occurring in terms of thoughts, ideas, and tangible entities, a movement which Bourriaud relates back to globalisation and the technological advances that are creating new pathways from which to explore culture and tradition: The term Altermodern delimitates the zone of discussion, I would say.

This necessarily opens up the exhibition to a series of tangential discussions that serve to bolster the conceptual arrangement rather than act as a hindrance to its intellectual development. The prologues conquer, in a way that Bourriaud himself could not alone, the intellectual territory left open to criticism by the introduction of the Altermodern as the basis and framework of the exhibition.

The times seem propitious for the recomposition of a modernity in the present, reconfigured altermodetn to the specific context within which we live — crucially in the age of globalisation — understood in its economic, political and cultural aspects: Curated by Nicolas Bourriaud, he introduces a new art term Altermodernwhich describes how artists are responding to the increasingly global context in which we live.

Retrieved from ” https: Many signs suggest that the historical period defined by postmodernism is coming to an end: Bourriaud avoids this by choosing artists from a global and macrocosmic viewpoint; he looks at how they function and interrelate within the world and how this is reflected in their work rather than how their work is a direct reflection of their identity.


If twentieth-century modernism was above all a western cultural phenomenon, altermodernity arises out of planetary negotiations, discussions between agents from different cultures. Each Prologue includes lectures, performances, film and a manifesto text and attempts to define what the curator sees as the four main facets of Altermodern [2] [3]. Altermodern art is thus read as a hypertext; artists translate and transcode information from one format to another, and wander in geography as well as in history.

Artists are looking for a new modernity that would be based on translation: Simon Oldfield is the director of Simon Oldfield Gallery. We are entering the era of universal subtitling, of generalised dubbing. Nicolas Bourriaud, art critic, curator of the Triennial, and founding director of the Palais de Tokyo in Paris, is leaving the safety net of post-modernism and embracing the possibilities that exist outside the traditional art-historical framework.


Tweet Share Reblog Pin. More generally, our globalised perception calls for new types of representation: Bourriaud views the prologues as a way of exposing and documenting the intellectual process of an exhibition and involving the artists, critics, and academics, not only as witnesses but contributors to the Triennial.

Artists are responding to a new globalised perception. Not to be confused with Altermodernity. The Triennial is intrinsic to the development of these intellectual thoughts and bourriaid and he utilises it as a conduit with which to explore these themes. Views Read Edit View history.

A new modernity is emerging, reconfigured to an age of globalisation — understood in its bouriraud, political and cultural aspects: Webarchive bourrkaud wayback links Articles needing additional references from July All articles needing additional references Wikipedia articles needing clarification from February This can be problematic and delimitating, especially when the majority of exhibiting artists are not necessarily born in, or relate to, the traditions and cultures of their birth.

By using this site, you agree to the Terms of Use and Bourriqud Policy. Aesthetica speaks to the gallerist. The format of the exhibition and the events leading up to the opening, necessarily instigate debate and breed an atmosphere of excitement around the triennial.

The exhibition manages to maintain a focus on London in parallel to this global focus: Altermdern page was last edited on 13 Octoberat Stripped of a centre, it can only be polyglot. Main menu additional Become a Member Shop. It was conceived as a big debate. The four prologues, the fourth and final of which occurred 17 th Januaryhas extended the course of the exhibition to that of a year and opened up an unmitigated temporal window for discussion.